2023 IVTOM Conference Bundle
Mary Ann Kehler | Teaching a Stellar First Lesson
Sandra Oberoi | Blurring the Lines Between Beyonce and Bollywood
John Henny | Masterclass
Marc Reynolds | Masterclass
Zimmermann: Creaky, Growl, Grunt and Overdrive Distortions
Fernando Zimmermann shows the physiology behind four families of vocal distortion, with scope footage of his own larynx, then the commands to produce each.
Fascia, Imagery & Movement - John Henny
Why singers seize up on high notes, and what to do about it. John Henny on fascia, biotensegrity, and imagery that actually connects to function.
Saunders Barton Masterclass: Belt, Vowels & the Moment Before
Watch Mary Saunders Barton coach three musical theatre singers live — reshaping high belt vowels, freeing pressure, and finding the moment before the lyric.
Teaching Unconventional Voices: Garvey on Disability and Singing
A singer with cerebral palsy on what actually worked in his lessons, and the teaching habits that got him past ceilings he thought were permanent.
How to Act a Song: Reynolds' System for Singers
Opera director Dr. Marc Reynolds shows how story, visualization and body language unlock vocal technique. Start with the conversation, not the singing.
Saunders-Barton: Teaching Actors to Sing, Story First
What happens in the brain before a single note? Mary Saunders-Barton's pre-phonatory checklist, and how character and story build a flexible, healthy technique.
Durham: Trauma-Informed Voice Care in Your Studio
Megan Durham shows voice teachers how to recognize stress responses in the body, honor a student's "no," and use somatic tools that keep singers present.
Finishing a Voice: Kaelin on Tone, Vibrato and Style
Your student can sing the notes - now what? Dean Kaelin walks through the finishing work that separates a competent singer from one people want to hear.
Should I Trust My Ears? Siciliano on Hearing Vocal Damage
Listen to six real patients, guess the diagnosis, then watch the scope footage. A speech pathologist shows where trained ears get it wrong.